Fleda paid this statement the homage of a minute's muteness. "As to that, naturally, she has reason." Mrs. Gereth looked at her with a slight increase of hardness. "You've done everything you need for modesty, my dear! If he's sick with love of you, you haven't had to wait for me to inform you."!

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "Never mind how I feel, and never mind what I say when I'm furious!" Mrs. Gereth still more incisively added. "Of course I cling to you, you wretches, or I shouldn't suffer as I do. What I want of him is to see that he takes you; what I want of him is to go with you myself to the place." She looked round the room as if, in feverish haste, for a mantle to catch up; she bustled to the window as if to spy out a cab: she would allow half an hour for the job. Already in her bonnet, she had snatched from the sofa a garment for the street: she jerked it on as she came back. "Find him, find him," she repeated; "come straight out with me, to try, at least, to get at him!"

"Do you mean to say you'll have a regular kick-up with her?" "No, it hadn't arrived. I came up for the night—I've several matters to attend to." Then looking with an intention of fixedness from one of her companions to the other, "I'm afraid I've interrupted your conversation," Mrs. Brigstock said. She spoke without effectual point, had the air of merely announcing the fact. Fleda had not yet been confronted with the question of the sort of person Mrs. Brigstock was; she had only been confronted with the question of the sort of person Mrs. Gereth scorned her for being. She was really, somehow, no sort of person at all, and it came home to Fleda that if Mrs. Gereth could see her at this moment she would scorn her more than ever. She had a face of which it was impossible to say anything but that it was pink, and a mind that it would be possible to describe only if one had been able to mark it in a similar fashion. As nature had made this organ neither green nor blue nor yellow, there was nothing to know it by: it strayed and bleated like an unbranded sheep. Fleda felt for it at this moment much of the kindness of compassion, since Mrs. Brigstock had brought it with her to do something for her that she regarded as delicate. Fleda was quite prepared to help it to perform, if she should be able to gather what it wanted to do. What she gathered, however, more and more, was that it wanted to do something different from what it had wanted to do in leaving Waterbath. There was still nothing to enlighten her more specifically in the way her visitor continued: "You must be very much taken up. I believe you quite espouse his dreadful quarrel." "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"