But we are not done with that engine yet. The engine is powerful. We are two small men and a small woman. It will break our hearts and our backs to hoist anchor by hand. Let the engine do it. And then comes the problem of how to convey power for’ard from the engine to the winch. And by the time all this is settled, we redistribute the allotments of space to the engine-room, galley, bath-room, state-rooms, and cabin, and begin all over again. And when we have shifted the engine, I send off a telegram of gibberish to its makers at New York, something like this: Toggle-joint abandoned change thrust-bearing accordingly distance from forward side of flywheel to face of stern post sixteen feet six inches. “Think,” I would say to Charmian, “of a gale off the China coast, and of the Snark hove to, that splendid bow of hers driving into the storm. Not a drop will come over that bow. She’ll be as dry as a feather, and we’ll be all below playing whist while the gale howls.”!

We gave up the jungle and sought the stream with the idea of evading the sand-flies. Vain hope! To go in swimming one must take off his clothes. The sand-flies are aware of the fact, and they lurk by the river bank in countless myriads. In the native they are called the nau-nau, which is pronounced “now-now.” They are certainly well named, for they are the insistent present. There is no past nor future when they fasten upon one’s epidermis, and I am willing to wager that Omer Khayyám could never have written the Rubáiyat in the valley of Typee—it would have been psychologically impossible. I made the strategic mistake of undressing on the edge of a steep bank where I could dive in but could not climb out. When I was ready to dress, I had a hundred yards’ walk on the bank before I could reach my clothes. At the first step, fully ten thousand nau-naus landed upon me. At the second step I was walking in a cloud. By the third step the sun was dimmed in the sky. After that I don’t know what happened. When I arrived at my clothes, I was a maniac. And here enters my grand tactical error. There is only one rule of conduct in dealing with nau-naus. Never swat them. Whatever you do, don’t swat them. They are so vicious that in the instant of annihilation they eject their last atom of poison into your carcass. You must pluck them delicately, between thumb and forefinger, and persuade them gently to remove their proboscides from your quivering flesh. It is like pulling teeth. But the difficulty was that the teeth sprouted faster than I could pull them, so I swatted, and, so doing, filled myself full with their poison. This was a week ago. At the present moment I resemble a sadly neglected smallpox convalescent. All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu.

“Yet to-day is yesterday,” urges my logical mind. “Don’t you see she is not in her right mind?” Tautai-taora is the name for stone-fishing, tautai meaning a “fishing instrument.” And taora meaning “thrown.” But tautai-taora, in combination, means “stone-fishing,” for a stone is the instrument that is thrown. Stone-fishing is in reality a fish-drive, similar in principle to a rabbit-drive or a cattle-drive, though in the latter affairs drivers and driven operate in the same medium, while in the fish-drive the men must be in the air to breathe and the fish are driven through the water. It does not matter if the water is a hundred feet deep, the men, working on the surface, drive the fish just the same.