Ten days after his visit she received a communication from Mrs. Gereth—a telegram of eight words, exclusive of signature and date. "Come up immediately and stay with me here"—it was characteristically sharp, as Maggie said; but, as Maggie added, it was also characteristically kind. "Here" was an hotel in London, and Maggie had embraced a condition of life which already began to produce in her some yearning for hotels in London. She would have responded in an instant, and she was surprised that her sister seemed to hesitate. Fleda's hesitation, which lasted but an hour, was expressed in that young lady's own mind by the reflection that in obeying her friend's summons she shouldn't know what she should be "in for." Her friend's summons, however, was but another name for her friend's appeal; and Mrs. Gereth's bounty had laid her under obligations more sensible than any reluctance. In the event—that is at the end of her hour—she testified to her gratitude by taking the train and to her mistrust by leaving her luggage. She went as if she had gone up for the day. In the train, however, she had another thoughtful hour, during which it was her mistrust that mainly deepened. She felt as if for ten days she had sat in darkness, looking to the east for a dawn that had not yet glimmered. Her mind had lately been less occupied with Mrs. Gereth; it had been so exceptionally occupied with Mona. If the sequel was to justify Owen's prevision of Mrs. Brigstock's action upon her daughter, this action was at the end of a week as much a mystery as ever. The stillness, all round, had been exactly what Fleda desired, but it gave her for the time a deep sense of failure, the sense of a sudden drop from a height at which she had all things beneath her. She had nothing beneath her now; she herself was at the bottom of the heap. No sign had reached her from Owen—poor Owen, who had clearly no news to give about his precious letter from Waterbath. If Mrs. Brigstock had hurried back to obtain that this letter should be written, Mrs. Brigstock might then have spared herself so great an inconvenience. Owen had been silent for the best of all reasons—the reason that he had had nothing in life to say. If the letter had not been written he would simply have had to introduce some large qualification into his account of his freedom. He had left his young friend under her refusal to listen to him until he should be able, on the contrary, to extend that picture; and his present submission was all in keeping with the rigid honesty that his young friend had prescribed. Fleda listened; she was deeply mystified. "How kind you are to me!" she presently said. The picture suggested so many questions that she scarcely knew which to ask first. She took one at a venture. "You really have it from Mr. Gereth that he'll give us his company?"!

Dear Mrs. Gereth smiled sweetly. "How could he, when our situation is such that he communicates with me only through you, and that you are so tortuous you conceal everything?" Here was a faint illumination with which Mrs. Gereth instantly mingled her fire. "You dear old wretch!" she exclaimed; and she again, with ferocity, embraced her young friend.

If Fleda handed this communication to her friend as a triumphant gage of the innocence of the young man's heart, her elation lived but a moment after Mrs. Gereth had pounced upon the tell-tale spot in it. "Why in the world, then," that lady cried, "does he still not breathe a breath about the day, the day, the day?" She repeated the word with a crescendo of superior acuteness; she proclaimed that nothing could be more marked than its absence—an absence that simply spoke volumes. What did it prove in fine but that she was producing the effect she had toiled for—that she had settled or was rapidly settling Mona? The mixture of reluctance and dependence in this made her feel how much she was failing him. She had the sense of "chucking" him too. "No, no, not yet!" she said, though she had really no other and no better course to prescribe. "Doesn't it occur to you," she asked in a moment, "that if Mona is, as you say, drawing away, she may have, in doing so, a very high motive? She knows the immense value of all the objects detained by your mother, and to restore the spoils of Poynton she is ready—is that it!—to make a sacrifice. The sacrifice is that of an engagement she had entered upon with joy." "What else can I really pretend when you threaten so to cast me off if I speak the word myself?"