"And leave his house as bare as your hand? There's nothing in it that isn't precious." "But twice?" Mrs. Gereth still smiled.!

Fleda turned away. "Thank you." "Why, letting me tell her a dozen things she can have."

The girl would have been struck with the levity of this had she not already, in an hour, felt the extent of the change suddenly wrought in her commerce with her friend—wrought above all, to that friend's view, in her relation to the great issue. The effect of what had followed Owen's visit was to make that relation the very key of the crisis. Pressed upon her, goodness knew, the crisis had been, but it now seemed to put forth big, encircling arms—arms that squeezed till they hurt and she must cry out. It was as if everything at Ricks had been poured into a common receptacle, a public ferment of emotion and zeal, out of which it was ladled up to be tasted and talked about; everything at least but the one little treasure of knowledge that she kept back. She ought to have liked this, she reflected, because it meant sympathy, meant a closer union with the source of so much in her life that had been beautiful and renovating; but there were fine instincts in her that stood off. She had had—and it was not merely at this time—to recognize that there were things for which Mrs. Gereth's flair was not so happy as for bargains and "marks." It wouldn't be happy now as to the best action on the knowledge she had just gained; yet as from this moment they were still more intimately together, so a person deeply in her debt would simply have to stand and meet what was to come. There were ways in which she could sharply incommode such a person, and not only with the best conscience in the world, but with a sort of brutality of good intentions. One of the straightest of these strokes, Fleda saw, would be the dance of delight over the mystery Mrs. Gereth had laid bare—the loud, lawful, tactless joy of the explorer leaping upon the strand. Like any other lucky discoverer, she would take possession of the fortunate island. She was nothing if not practical: almost the only thing she took account of in her young friend's soft secret was the excellent use she could make of it—a use so much to her taste that she refused to feel a hindrance in the quality of the material. Fleda put into Mrs. Gereth's answer to her question a good deal more meaning than it would have occurred to her a few hours before that she was prepared to put, but she had on the spot a foreboding that even so broad a hint would live to be bettered. "Give what up?" "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.