From her step she looked down into his raised face. "Ah, you see it's not true that you're free!" She seemed almost to exult. "It's not true—it's not true!" "Are you sure?"!

"She's not, she's not: there's nothing in it! Doesn't a fellow know?—except with you!" Owen ruefully added. With this he came out of the room, lowering his voice to secret supplication, pleading with her really to meet him on the ground of the negation of Mona. It was this betrayal of his need of support and sanction that made her retreat—harden herself in the effort to save what might remain of all she had given, given probably for nothing. The very vision of him as he thus morally clung to her was the vision of a weakness somewhere in the core of his bloom, a blessed manly weakness of which, if she had only the valid right, it would be all a sweetness to take care. She faintly sickened, however, with the sense that there was as yet no valid right poor Owen could give. "You can take it from my honor, you know," he whispered, "that she loathes me." Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged.

Fleda shook her head wearily. "No—I was only in love with him!" "Give me a cup of tea," said Mrs. Gereth. A moment later, taking the cup, she replied: "No, you've never asked me for a postage-stamp." "What do you call meeting a fellow?" Fleda asked, with a smile.