It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away. “Some men,” he answered. “Artists and poets. They have the woman within them. Men like myself—the mere fighter: we are incomplete in ourselves. Male and female created He them. We are lost without our mate.”!

She had been fashioned to be his helpmate, as surely as if she had been made of the same bone. Nature was at one with God. Spirit and body both yearned for him. It was not position—power for herself that she craved. The marriage market—if that had been her desire: it had always been open to her. She had the gold that buys these things. Wealth, ambition: they had been offered to her—spread out temptingly before her eyes. They were always within her means, if ever she chose to purchase them. It was this man alone to whom she had ever felt drawn—this man of the people, with that suggestion about him of something primitive, untamed, causing her always in his presence that faint, compelling thrill of fear, who stirred her blood as none of the polished men of her own class had ever done. His kind, strong, ugly face: it moved beside her: its fearless, tender eyes now pleading, now commanding. “Why can’t you help him in his own house, instead of wandering all about the country?” Flossie wanted to know.

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. A little choking sound was the only answer. But the woman rose and, Joan following, they stole upstairs into the bedroom and Mrs. Phillips turned the key. “I called at your diggings,” he said. “I had to go through London. They told me you had started. It is good of you.”