“It is part of it, dear, isn’t it?” insisted Mary Stopperton. “To suffer for one’s faith. I think Jesus must have liked him for that.” Arthur had not been home since the beginning of the war. Twice he had written them to expect him, but the little fleet of mine sweepers had been hard pressed, and on both occasions his leave had been stopped at the last moment. One afternoon he turned up unexpectedly at the hospital. It was a few weeks after the Conscription Act had been passed.!

“Must you, dear?” she said. “Can’t you reconcile it to yourself—to go on with your work of mercy, of saving poor folks’ lives?” “Every evening for about six months,” he answered. A little flame shot up and showed a smile upon his face.

“No hope of happy endings,” she said with a forced laugh. “Couldn’t marry him I suppose?” “Yes, but didn’t they all feel it,” Madge suggested. She still seemed to be arguing with herself rather than with Joan. “Nietzsche. I have been reading him. They are forming a Nietzsche Society to give lectures about him—propagate him over here. Eleanor’s in it up to the neck. It seems to me awful. Every fibre in my being revolts against him. Yet they’re all cocksure that he is the coming prophet. He must have convinced himself that he is serving God. If I were a fighter I should feel I was serving God trying to down Him. How do I know which of us is right? Torquemada—Calvin,” she went on, without giving Joan the chance of a reply. “It’s easy enough to see they were wrong now. But at the time millions of people believed in them—felt it was God’s voice speaking through them. Joan of Arc! Fancy dying to put a thing like that upon a throne. It would be funny if it wasn’t so tragic. You can say she drove out the English—saved France. But for what? The Bartholomew massacres. The ruin of the Palatinate by Louis XIV. The horrors of the French Revolution, ending with Napoleon and all the misery and degeneracy that he bequeathed to Europe. History might have worked itself out so much better if the poor child had left it alone and minded her sheep.” They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.