My sleep was broken by miserable nightmares. Earthquake seemed the favourite affliction, though there was one man, with a bill, who persisted in dunning me throughout the night. Also, he wanted to fight; and Charmian continually persuaded me to let him alone. Finally, however, the man with the everlasting dun ventured into a dream from which Charmian was absent. It was my opportunity, and we went at it, gloriously, all over the sidewalk and street, until he cried enough. Then I said, “Now how about that bill?” Having conquered, I was willing to pay. But the man looked at me and groaned. “It was all a mistake,” he said; “the bill is for the house next door.” The first one was always erected at the foot of the hill, the second in front of the post-office, and the third in the middle of the street. This position occasioned some rivalry among the women and they finally decided upon Madame Aubain’s yard.!

He hastened to meet us, arriving in the whirl and blur of a handspring. He did not shake hands with us; instead, his greeting took the form of stunts. He turned more handsprings. He twisted his body sinuously, like a snake, until, having sufficiently limbered up, he bent from the hips, and, with legs straight and knees touching, beat a tattoo on the ground with the palms of his hands. He whirligigged and pirouetted, dancing and cavorting round like an inebriated ape. All the sun-warmth of his ardent life beamed in his face. I am so happy, was the song without words he sang. He hastened to meet us, arriving in the whirl and blur of a handspring. He did not shake hands with us; instead, his greeting took the form of stunts. He turned more handsprings. He twisted his body sinuously, like a snake, until, having sufficiently limbered up, he bent from the hips, and, with legs straight and knees touching, beat a tattoo on the ground with the palms of his hands. He whirligigged and pirouetted, dancing and cavorting round like an inebriated ape. All the sun-warmth of his ardent life beamed in his face. I am so happy, was the song without words he sang.

Early next morning Tehei was on board, with a string of fresh-caught fish and an invitation to dinner for that evening. On the way to dinner, we dropped in at the himine house. The same elders were singing, with here or there a youth or maiden that we had not seen the previous night. From all the signs, a feast was in preparation. Towering up from the floor was a mountain of fruits and vegetables, flanked on either side by numerous chickens tethered by cocoanut strips. After several himines had been sung, one of the men arose and made oration. The oration was made to us, and though it was Greek to us, we knew that in some way it connected us with that mountain of provender. On the bow of the launch, Tehei, with eyes fixed on the leader, worked his stone in unison with the others. Once, the stone slipped from the rope, and the same instant Tehei went overboard after it. I do not know whether or not that stone reached the bottom, but I do know that the next instant Tehei broke surface alongside with the stone in his hand. I noticed this same accident occur several times among the near-by canoes, but in each instance the thrower followed the stone and brought it back. I wanted that tooth. Also, Martin wanted a snap-shot of me getting it. Likewise Charmian got her camera. Then the procession started. We were stopping at what had been the club-house when Stevenson was in the Marquesas on the Casco. On the veranda, where he had passed so many pleasant hours, the light was not good—for snapshots, I mean. I led on into the garden, a chair in one hand, the other hand filled with forceps of various sorts, my knees knocking together disgracefully. The poor old Chinaman came second, and he was shaking, too. Charmian and Martin brought up the rear, armed with kodaks. We dived under the avocado trees, threaded our way through the cocoanut palms, and came on a spot that satisfied Martin’s photographic eye.