He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” “What’s he like to-night?” she asked, with a jerk of her head in the direction of the next room. She placed her bag carefully upon the sofa, and examined the new shawl as she did so.!

Madge thought that England, in particular, had been too much given up to luxury and pleasure. There had been too much idleness and empty laughter: Hitchicoo dances and women undressing themselves upon the stage. Even the working classes seemed to think of nothing else but cinemas and beer. She dreamed of a United Kingdom purified by suffering, cleansed by tears; its people drawn together by memory of common sacrifice; class antagonism buried in the grave where Duke’s son and cook’s son would lie side by side: of a new-born Europe rising from the ashes of the old. With Germany beaten, her lust of war burnt out, her hideous doctrine of Force proved to be false, the world would breathe a freer air. Passion and hatred would fall from man’s eyes. The people would see one another and join hands. “Woman’s right to follow the dictates of her own heart, uncontrolled by any law,” the Human Document was insisting: “That is one of the first things we must fight for.”

It was on her tongue to ask him, as so often she had meant to do of late, what had been the cause of her mother’s illness—if illness it was: what it was that had happened to change both their lives. But always something had stopped her—something ever present, ever watchful, that seemed to shape itself out of the air, bending towards her with its finger on its lips. “I heard you come in,” she said. “You’re not busy, are you?” “Tell me,” said Joan. “What was my mother like? I can only remember her as more or less of an invalid.”