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The joy of the Queen at once more seeing the sun may be imagined. So unaccustomed had she grown to its light, that at first she thought it would blind her. As for Moufette, she was so quick and intelligent, that even at five or six years of age, she never failed to hit her mark, and so, in this way, the mother and daughter succeeded in somewhat lessening the ferocity of the fairy.,

“It will have to be awfully thick, won’t it, to be able to hold the water?”,

“The wood-cutter is right. It is balm,” said Uncle Isaac finally.,

Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.

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Ferdinand soon after accepted a command in the Neapolitan army; and amidst the many heroes of that warlike and turbulent age, distinguished himself for his valour and ability. The occupations of war engaged his mind, while his heart was solicitous in promoting the happiness of his family.,

Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would chase the ideal image from her mind, and restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.,

They were some time silent. The duke knocked at the door, and enquired of the man who opened it concerning the lady and cavalier then in his cottage. He was assured there were no other persons in the cottage than those he then saw. The duke persisted in affirming that the persons he enquired for were there concealed; which the man being as resolute in denying, he gave the signal, and his people approached, and surrounded the cottage. The peasants, terrified by this circumstance, confessed that a lady and cavalier, such as the duke described, had been for some time concealed in the cottage; but that they were now departed.,

Night at length came. He repaired to the pavilion, and secreted himself among the trees that embowered it. Many minutes had not passed, when he heard a sound of low whispering voices steal from among the trees, and footsteps approaching down the alley. He stood almost petrified with terrible sensations, and presently heard some persons enter the pavilion. The marquis now emerged from his hiding-place; a faint light issued from the building. He stole to the window, and beheld within, Maria and the Cavalier de Vincini. Fired at the sight, he drew his sword, and sprang forward. The sound of his step alarmed the cavalier, who, on perceiving the marquis, rushed by him from the pavilion, and disappeared among the woods. The marquis pursued, but could not overtake him; and he returned to the pavilion with an intention of plunging his sword in the heart of Maria, when he discovered her senseless on the ground. Pity now suspended his vengeance; he paused in agonizing gaze upon her, and returned his sword into the scabbard.