“Yes,” she answered. “And I’m glad that I did it,” she added, defiantly. “God is love. Why are you afraid to let Him in? Hate knocks also at your door and to him you open wide. Why are you afraid of love? All things are created by love. Hate can but destroy. Why choose you death instead of life? God pleads to you. He is waiting for your help.”!

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “They are not increasing in numbers,” he answered, “and the Carleton group is. There is no reason why in another ten years he should not control the entire popular press of the country. He’s got the genius and he’s got the means.”

“There are more important things than saving men’s bodies. You think that, don’t you?” he asked. “It’s many a year, I am afraid, to the final chapter,” thought their author. She went to bed wakeful. It was marvellously like being at school again. What could Flossie want to see her about that was so important? She tried to pretend to herself that she didn’t know. After all, perhaps it wasn’t that.