It was this that formed the element through which Mona loomed large; Fleda had enough imagination, a fine enough feeling for life, to be impressed with such an image of successful immobility. The massive maiden at Waterbath was successful from the moment she could entertain her resentments as if they had been poor relations who needn't put her to expense. She was a magnificent dead weight; there was something positive and portentous in her quietude. "What game are they all playing?" poor Fleda could only ask; for she had an intimate conviction that Owen was now under the roof of his betrothed. That was stupefying if he really hated Mona; and if he didn't really hate her what had brought him to Raphael Road and to Maggie's? Fleda had no real light, but she felt that to account for the absence of any result of their last meeting would take a supposition of the full sacrifice to charity that she had held up before him. If he had gone to Waterbath it had been simply because he had to go. She had as good as told him that he would have to go; that this was an inevitable incident of his keeping perfect faith—faith so literal that the smallest subterfuge would always be a reproach to him. When she tried to remember that it was for herself he was taking his risk, she felt how weak a way that was of expressing Mona's supremacy. There would be no need of keeping him up if there were nothing to keep him up to. Her eyes grew wan as she discerned in the impenetrable air that Mona's thick outline never wavered an inch. She wondered fitfully what Mrs. Gereth had by this time made of it, and reflected with a strange elation that the sand on which the mistress of Ricks had built a momentary triumph was quaking beneath the surface. As The Morning Post still held its peace, she would be, of course, more confident; but the hour was at hand at which Owen would have absolutely to do either one thing or the other. To keep perfect faith was to inform against his mother, and to hear the police at her door would be Mrs. Gereth's awakening. How much she was beguiled Fleda could see from her having been for a whole month quite as deep and dark as Mona. She had let her young friend alone because of the certitude, cultivated at Ricks, that Owen had done the opposite. He had done the opposite indeed, but much good had that brought forth! To have sent for her now, Fleda felt, was from this point of view wholly natural: she had sent for her to show at last how much she had scored. If, however, Owen was really at Waterbath the refutation of that boast was easy. Fleda had had no one in particular in mind; she had never believed in the myrmidons; but the tone in which Mrs. Gereth spoke added to her suspense. "What did you do to them?"!

It was true that when after their return from Ricks they tried to lighten the ship, the great embarrassment was still immutably there, the odiousness of sacrificing the exquisite things one wouldn't take to the exquisite things one would. This immediately made the things one wouldn't take the very things one ought to, and, as Mrs. Gereth said, condemned one, in the whole business, to an eternal vicious circle. In such a circle, for days, she had been tormentedly moving, prowling up and down, comparing incomparables. It was for that one had to cling to them and their faces of supplication. Fleda herself could judge of these faces, so conscious of their race and their danger, and she had little enough to say when her companion asked her if the whole place, perversely fair on October afternoons, looked like a place to give up. It looked, to begin with, through some effect of season and light, larger than ever, immense, and it was filled with the hush of sorrow, which in turn was all charged with memories. Everything was in the air—every history of every find, every circumstance of every struggle. Mrs. Gereth had drawn back every curtain and removed every cover; she prolonged the vistas, opened wide the whole house, gave it an appearance of awaiting a royal visit. The shimmer of wrought substances spent itself in the brightness; the old golds and brasses, old ivories and bronzes, the fresh old tapestries and deep old damasks threw out a radiance in which the poor woman saw in solution all her old loves and patiences, all her old tricks and triumphs. Fleda thought an instant. "You mean makes her hesitate to keep you—not hesitate to renounce you?"

"That he would give his ears to get you?" Mrs. Gereth broke in. "I had a visit from Mrs. Brigstock." "I'm the proper person to answer Mrs. Brigstock's questions," Owen broke in again, "and I'm not a bit less ready to meet them than you are." He was firmer than she had ever seen him: it was as if she had not known he could be so firm. There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't had, but they had had in every corner of Europe their swing among the Jews. It was fascinating to poor Fleda, who hadn't a penny in the world nor anything nice at home, and whose only treasure was her subtle mind, to hear this genuine English lady, fresh and fair, young in the fifties, declare with gayety and conviction that she was herself the greatest Jew who had ever tracked a victim. Fleda, with her mother dead, hadn't so much even as a home, and her nearest chance of one was that there was some appearance her sister would become engaged to a curate whose eldest brother was supposed to have property and would perhaps allow him something. Her father paid some of her bills, but he didn't like her to live with him; and she had lately, in Paris, with several hundred other young women, spent a year in a studio, arming herself for the battle of life by a course with an impressionist painter. She was determined to work, but her impressions, or somebody's else, were as yet her only material. Mrs. Gereth had told her she liked her because she had an extraordinary flair; but under the circumstances a flair was a questionable boon: in the dry places in which she had mainly moved she could have borne a chronic catarrh. She was constantly summoned to Cadogan Place, and before the month was out was kept to stay, to pay a visit of which the end, it was agreed, should have nothing to do with the beginning. She had a sense, partly exultant and partly alarmed, of having quickly become necessary to her imperious friend, who indeed gave a reason quite sufficient for it in telling her there was nobody else who understood. From Mrs. Gereth there was in these days an immense deal to understand, though it might be freely summed up in the circumstance that she was wretched. She told Fleda that she couldn't completely know why till she should have seen the things at Poynton. Fleda could perfectly grasp this connection, which was exactly one of the matters that, in their inner mystery, were a blank to everybody else.