She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. It was on her tongue to ask him, as so often she had meant to do of late, what had been the cause of her mother’s illness—if illness it was: what it was that had happened to change both their lives. But always something had stopped her—something ever present, ever watchful, that seemed to shape itself out of the air, bending towards her with its finger on its lips.!

She was still interested in his work and keen to help him. It was going to be a stiff fight. He himself, in spite of Carleton’s opposition, had been returned with an increased majority; but the Party as a whole had suffered loss, especially in the counties. The struggle centred round the agricultural labourer. If he could be won over the Government would go ahead with Phillips’s scheme. Otherwise there was danger of its being shelved. The difficulty was the old problem of how to get at the men of the scattered villages, the lonely cottages. The only papers that they ever saw were those, chiefly of the Carleton group, that the farmers and the gentry took care should come within their reach; that were handed to them at the end of their day’s work as a kindly gift; given to the school children to take home with them; supplied in ample numbers to all the little inns and public-houses. In all these, Phillips was held up as their arch enemy, his proposal explained as a device to lower their wages, decrease their chances of employment, and rob them of the produce of their gardens and allotments. No arguments were used. A daily stream of abuse, misrepresentation and deliberate lies, set forth under flaming headlines, served their simple purpose. The one weekly paper that had got itself established among them, that their fathers had always taken, that dimly they had come to look upon as their one friend, Carleton had at last succeeded in purchasing. When that, too, pictured Phillips’s plan as a diabolical intent to take from them even the little that they had, and give it to the loafing socialist and the bloated foreigner, no room for doubt was left to them. Palace Yard, save for a statuesque policeman, was empty.

Besides, what could have put the idea into her head? It was laughable, the presumption that she was a finished actress, capable of deceiving everyone about her. If she had had an inkling of the truth, Joan, with every nerve on the alert, almost hoping for it, would have detected it. She had talked with her alone the day before she had left England, and the woman had been full of hopes and projects for the future. “How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.” CHAPTER VII