"You've diverged uncommonly far!"—Owen laughed back. Fleda, with her hideous crockery and her father's collections, could conceive that these objects, to her visitor's perception even more strongly than to her own, measured the length of the swing from Poynton and Ricks; she was aware too that her high standards figured vividly enough even to Owen's simplicity to make him reflect that West Kensington was a tremendous fall. If she had fallen it was because she had acted for him. She was all the more content he should thus see she had acted, as the cost of it, in his eyes, was none of her own showing. "What seems to have happened," he exclaimed, "is that you've had a row with her and yet not moved her!" "If he shouldn't be there," Fleda interrupted, "there will be no harm done."!

From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?" "If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!"

"But surely not because she understands and appreciates them?" "I want to take her in the right way, don't you know?—treat her as if I gave her more than just an hour or two." "The whole thing has indeed been wretched, and I can easily conceive its effect upon her," Fleda said.