It could be done. She felt it. If only one could summon up the needful brutality. If only one could stifle that still, small voice of Pity. “It isn’t only that,” explained Joan. “I give him courage. I always did have more of that than is any use to a woman. He wants to be worthy of my belief in him. What is the harm if he does admire me—if a smile from me or a touch of the hand can urge him to fresh effort? Suppose he does love me—”!

“Do you think it’s all true?” Joan whispered to her host. “I am going to bed now,” she said. “I wanted to see you from what Papa told me. May I kiss you?”

“Oh, we can all persuade ourselves that we are the Heaven-ordained dictator of the human race,” he answered. “Love of power is at the bottom of it. Why do our Rockefellers and our Carnegies condemn themselves to the existence of galley slaves, ruining their digestions so that they never can enjoy a square meal. It isn’t the money; it’s the trouble of their lives how to get rid of that. It is the notoriety, the power that they are out for. In Carleton’s case, it is to feel himself the power behind the throne; to know that he can make and unmake statesmen; has the keys of peace and war in his pocket; is able to exclaim: Public opinion? It is I.” Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins.