“Better not go on, nurse,” said one of them. “It’s some poor devil of a Conchy, I expect. Must have a damned sight more pluck than I should.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.!

“Tell me,” she said. “What is God?” He was sitting on the front seat, facing her. “I’m glad I went,” he said with sudden vehemence. “I loved watching you, moving about among all those people. I never knew before how beautiful you are.”

“She was so much better last week,” he explained. “But it never lasts.” “I hope nobody saw me,” he said with a laugh. “But I couldn’t bear to leave her there, unhonoured.” “The business of the journalist,” the man had continued, “is to destroy the truth, to lie, to pervert, to vilify, to fawn at the feet of Mammon, to sell his soul for his daily bread. We are the tools and vassals of rich men behind the scenes. We are the jumping-jacks. They pull the strings and we dance. Our talents, our possibilities, our lives are the property of other men.”