Fleda, at this, felt that her heroism had come to its real test—felt that in telling him the truth she should effectively raise a hand to push his impediment out of the way. Was the knowledge that such a motion would probably dispose forever of Mona capable of yielding to the conception of still giving her every chance she was entitled to? That conception was heroic, but at the same moment it reminded Fleda of the place it had held in her plan, she was also reminded of the not less urgent claim of the truth. Ah, the truth—there was a limit to the impunity with which one could juggle with it! Wasn't what she had most to remember the fact that Owen had a right to his property and that he had also her vow to stand by him in the effort to recover it? How did she stand by him if she hid from him the single way to recover it of which she was quite sure? For an instant that seemed to her the fullest of her life she debated. "Yes," she said at last, "if your marriage is really abandoned, she will give up everything she has taken." Like lightning he had grasped her arm. "You mean you will talk of them?" Then as he began to take the flood of assent from her eyes: "You will listen to me? Oh, you dear, you dear—when, when?"!

"About bringing home to you?"—Fleda encouraged him. Fleda looked this inquiry in the face only long enough to recognize that, in her embarrassment, she must take instant refuge in a superior one. "I can answer that better if I know how kind to her you've been. Have you been kind to her?" she asked as simply as she could.

"Even the Maltese cross. Why not that as well as everything else?—especially as I remembered how you like it." "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." "I'm completely at your service." Owen held out his hand to Fleda. "Good-bye, Miss Vetch. I hope to see you again to-morrow." He opened the door for Mrs. Brigstock, who passed before the girl with an oblique, averted salutation. Owen and Fleda, while he stood at the door, then faced each other darkly and without speaking. Their eyes met once more for a long moment, and she was conscious there was something in hers that the darkness didn't quench, that he had never seen before and that he was perhaps never to see again. He stayed long enough to take it—to take it with a sombre stare that just showed the dawn of wonder; then he followed Mrs. Brigstock out of the house.