Nakata was the first to come down with fever. This occurred at Penduffryn. Wada and Henry followed him. Charmian surrendered next. I managed to escape for a couple of months; but when I was bowled over, Martin sympathetically joined me several days later. Out of the seven of us all told Tehei is the only one who has escaped; but his sufferings from nostalgia are worse than fever. Nakata, as usual, followed instructions faithfully, so that by the end of his third attack he could take a two hours’ sweat, consume thirty or forty grains of quinine, and be weak but all right at the end of twenty-four hours. Martin gave in handsomely, I’ll admit, and I am confident that at that moment, if I had asked permission to pull one of his teeth, he would not have denied me.!

Madame Aubain had married a comely youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing beneath a barometer, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden. Too much, by the way, does not indicate anything excessive. It is merely the simple superlative. Thus, if a native is asked the distance to a certain village, his answer will be one of these four: “Close-up”; “long way little bit”; “long way big bit”; or “long way too much.” Long way too much does not mean that one cannot walk to the village; it means that he will have to walk farther than if the village were a long way big bit.

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. There are no carriage roads through the ditch country, and before the ditch was built, or bored, rather, there was no horse-trail. Hundreds of inches of rain annually, on fertile soil, under a tropic sun, means a steaming jungle of vegetation. A man, on foot, cutting his way through, might advance a mile a day, but at the end of a week he would be a wreck, and he would have to crawl hastily back if he wanted to get out before the vegetation overran the passage way he had cut. O’Shaughnessy was the daring engineer who conquered the jungle and the gorges, ran the ditch and made the horse-trail. He built enduringly, in concrete and masonry, and made one of the most remarkable water-farms in the world. Every little runlet and dribble is harvested and conveyed by subterranean channels to the main ditch. But so heavily does it rain at times that countless spillways let the surplus escape to the sea. As for myself, I’d rather be that man than the fellows who sit on the bank and watch him. That is why I am building the Snark. I am so made. I like, that is all. The trip around the world means big moments of living. Bear with me a moment and look at it. Here am I, a little animal called a man—a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,—all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move—for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness.