How had Mrs. Gereth known in advance that if she had chosen to be "vile" (that was what Fleda called it) everything would happen to help her?—especially the way her poor father, after breakfast, doddered off to his club, showing seventy when he was really fifty-seven, and leaving her richly alone for the day. He came back about midnight, looking at her very hard and not risking long words—only making her feel by inimitable touches that the presence of his family compelled him to alter all his hours. She had in their common sitting-room the company of the objects he was fond of saying that he had collected—objects, shabby and battered, of a sort that appealed little to his daughter: old brandy-flasks and match-boxes, old calendars and hand-books, intermixed with an assortment of pen-wipers and ash-trays, a harvest he had gathered in from penny bazaars. He was blandly unconscious of that side of Fleda's nature which had endeared her to Mrs. Gereth, and she had often heard him wish to goodness there was something striking she cared for. Why didn't she try collecting something?—it didn't matter what. She would find it gave an interest to life, and there was no end of little curiosities one could easily pick up. He was conscious of having a taste for fine things which his children had unfortunately not inherited. This indicated the limits of their acquaintance with him—limits which, as Fleda was now sharply aware, could only leave him to wonder what the mischief she was there for. As she herself echoed this question to the letter she was not in a position to clear up the mystery. She couldn't have given a name to her errand in town or explained it save by saying that she had had to get away from Ricks. It was intensely provisional, but what was to come next? Nothing could come next but a deeper anxiety. She had neither a home nor an outlook—nothing in all the wide world but a feeling of suspense. "Not Mr. Gereth, I mean—nor his wife?"!

"We're together, we're together," Mrs. Gereth lifelessly repeated. "That's all we are now; it's all we have." The words brought to Fleda a sudden vision of the empty little house at Ricks; such a vision might also have been what her companion found in the face of the stopped Dutch clock. Yet with this it was clear that she would now show no bitterness: she had done with that, had given the last drop to those horrible hours in London. No passion even was left to her, and her forbearance only added to the force with which she represented the final vanity of everything. "Then say it and have done with it!"

"But what to do?" "But you've heard nothing?" "The strain of what?"