"Even the Maltese cross. Why not that as well as everything else?—especially as I remembered how you like it." "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask."!

But with the opening of the door she encountered a shock, though for an instant she couldn't have named it; the next moment she saw it was given her by the face of the man advancing to let her out, an old lame porter of the station, who had been there in Mrs. Gereth's time and who now recognized her. He looked up at her so hard that she took an alarm and before alighting broke out to him: "They've come back?" She had a confused, absurd sense that even he would know that in this case she mustn't be there. He hesitated, and in the few seconds her alarm had completely changed its ground: it seemed to leap, with her quick jump from the carriage, to the ground that was that of his stare at her. "Smoke?" She was on the platform with her frightened sniff: it had taken her a minute to become aware of an extraordinary smell. The air was full of it, and there were already heads at the window of the train, looking out at something she couldn't see. Some one, the only other passenger, had got out of another carriage, and the old porter hobbled off to close his door. The smoke was in her eyes, but she saw the station-master, from the end of the platform, recognize her too and come straight to her. He brought her a finer shade of surprise than the porter, and while he was coming she heard a voice at a window of the train say that something was "a good bit off—a mile from the town." That was just what Poynton was. Then her heart stood still at the white wonder in the station-master's face. "Am I? Do I strike you so? You know I hate him," Fleda went on.

"Mine have not been quite so bad as that," Fleda desperately smiled. Then she added: "His silence, her silence, our hearing nothing at all—what are these but the very things on which, at Poynton and at Ricks, you rested your assurance that everything is at an end between them?" "I?—" The inquiry seemed to have moved him to stupefaction. "Can you ask me that question when I only wanted to please you? Didn't you seem to show me, in your wonderful way, that that was exactly how? I didn't break off just on purpose to leave it to her. I didn't break off so that there shouldn't be a thing to be said against me." Fleda, downstairs, learned soon enough what this was. It was simply that, as he announced the moment he stood before her, he was now all right. When she asked him what he meant by that state he replied that he meant he could practically regard himself henceforth as a free man: he had had at West Kensington, as soon as they got into the street, such a horrid scene with Mrs. Brigstock.