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Sir Nicholas is there, silent, but angry, as Violet knows by the frown upon his brow. With his mother he never quarrels, merely expressing disapproval by such signs as an unwillingness to speak, and a stern grave line that grows upon his lips. "Look here," says Mr. Darling, "just try one of these, do. They are South American cigarettes, and nearly as strong as the real thing, and quite better: they are a new brand. Try 'em; they'll quite set you up." Mr. Rodney, basely forsaking the donkey, returns to his mutton. "There must be a dressmaker in Dublin," he says, "and we could write to her. Don't you know one?".
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The furniture is composed of oak of the hardest and most severe. To sit down would be a labor of anything but love. The chairs are strictly Gothic. The table is a marvel in itself for ugliness and in utility. This is fortunate. Every one feels that Nicholas is not only clever, but singularly lucky. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "That word should never have been said. It is better broken.".
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