She did not want to talk about the war. There was but one other woman at the hospital. It had been a farmhouse. The man and both sons had been killed during the first year of the war, and the woman had asked to be allowed to stay on. Her name was Madame Lelanne. She was useful by reason of her great physical strength. She could take up a man as he lay and carry him on her outstretched arms. It was an expressionless face, with dull, slow-moving eyes that never changed. She and Joan shared a small grenier in one of the barns. Joan had brought with her a camp bedstead; but the woman, wrapping a blanket round her, would creep into a hole she had made for herself among the hay. She never took off her clothes, except the great wooden-soled boots, so far as Joan could discover.!

“Don’t make us out all alike,” pleaded his sister with a laugh. “There are still a few old-fashioned papers that do give their opponents fair play.” “I wouldn’t mind the waiting,” answered Joan, “if it were not for the sorrow and the suffering that I see all round me. I want to get rid of it right away, now. I could be patient for myself, but not for others.”

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Niel Singleton, or Keeley, as he called himself upon the stage, was quite unlike his sister. He was short and plump, with a preternaturally solemn face, contradicted by small twinkling eyes. He motioned Joan to a chair and told her to keep quiet and not disturb the meeting. Suddenly she heard a light step in the passage, and the room door opened. A girl entered. She was wearing a large black hat and a black boa round her neck. Between them her face shone unnaturally white. She carried a small cloth bag. She started, on seeing Joan, and seemed about to retreat.