"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" The girl would have been struck with the levity of this had she not already, in an hour, felt the extent of the change suddenly wrought in her commerce with her friend—wrought above all, to that friend's view, in her relation to the great issue. The effect of what had followed Owen's visit was to make that relation the very key of the crisis. Pressed upon her, goodness knew, the crisis had been, but it now seemed to put forth big, encircling arms—arms that squeezed till they hurt and she must cry out. It was as if everything at Ricks had been poured into a common receptacle, a public ferment of emotion and zeal, out of which it was ladled up to be tasted and talked about; everything at least but the one little treasure of knowledge that she kept back. She ought to have liked this, she reflected, because it meant sympathy, meant a closer union with the source of so much in her life that had been beautiful and renovating; but there were fine instincts in her that stood off. She had had—and it was not merely at this time—to recognize that there were things for which Mrs. Gereth's flair was not so happy as for bargains and "marks." It wouldn't be happy now as to the best action on the knowledge she had just gained; yet as from this moment they were still more intimately together, so a person deeply in her debt would simply have to stand and meet what was to come. There were ways in which she could sharply incommode such a person, and not only with the best conscience in the world, but with a sort of brutality of good intentions. One of the straightest of these strokes, Fleda saw, would be the dance of delight over the mystery Mrs. Gereth had laid bare—the loud, lawful, tactless joy of the explorer leaping upon the strand. Like any other lucky discoverer, she would take possession of the fortunate island. She was nothing if not practical: almost the only thing she took account of in her young friend's soft secret was the excellent use she could make of it—a use so much to her taste that she refused to feel a hindrance in the quality of the material. Fleda put into Mrs. Gereth's answer to her question a good deal more meaning than it would have occurred to her a few hours before that she was prepared to put, but she had on the spot a foreboding that even so broad a hint would live to be bettered.!

"Well, darling, what did you tell him?" Mrs. Gereth blandly inquired. CHAPTER VI

Fleda winced. "I've told you what I believe about that. She'll make scenes and conditions; she'll worry him. But she'll hold him fast; she'll never give him up." Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches. "I dare say she wasn't. But the less she's satisfied the more I'm free."