"I'll give up the house if they'll let me take what I require!" That, on the morrow, was what Mrs. Gereth's stifled night had qualified her to say, with a tragic face, at breakfast. Fleda reflected that what she "required" was simply every object that surrounded them. The poor woman would have admitted this truth and accepted the conclusion to be drawn from it, the reduction to the absurd of her attitude, the exaltation of her revolt. The girl's dread of a scandal, of spectators and critics, diminished the more she saw how little vulgar avidity had to do with this rigor. It was not the crude love of possession; it was the need to be faithful to a trust and loyal to an idea. The idea was surely noble: it was that of the beauty Mrs. Gereth had so patiently and consummately wrought. Pale but radiant, with her back to the wall, she rose there like a heroine guarding a treasure. To give up the ship was to flinch from her duty; there was something in her eyes that declared she would die at her post. If their difference should become public the shame would be all for the others. If Waterbath thought it could afford to expose itself, then Waterbath was welcome to the folly. Her fanaticism gave her a new distinction, and Fleda perceived almost with awe that she had never carried herself so well. She trod the place like a reigning queen or a proud usurper; full as it was of splendid pieces, it could show in these days no ornament so effective as its menaced mistress. Once in the country, indeed, she saw that her father was right: the breath of December was abroad with a force from which the London labyrinth had protected her. The green fields were black, the sky was all alive with the wind; she had, in her anxious sense of the elements, her wonder at what might happen, a reminder of the surmises, in the old days of going to the Continent, that used to worry her on the way, at night, to the horrid cheap crossings by long sea. Something, in a dire degree, at this last hour, had begun to press on her heart: it was the sudden imagination of a disaster, or at least of a check, before her errand was achieved. When she said to herself that something might happen she wanted to go faster than the train. But nothing could happen save a dismayed discovery that, by some altogether unlikely chance, the master and mistress of the house had already come back. In that case she must have had a warning, and the fear was but the excess of her hope. It was every one's being exactly where every one was that lent the quality to her visit. Beyond lands and seas and alienated forever, they in their different ways gave her the impression to take as she had never taken it. At last it was already there, though the darkness of the day had deepened; they had whizzed past Chater—Chater, which was the station before the right one. Off in that quarter was an air of wild rain, but there shimmered straight across it a brightness that was the color of the great interior she had been haunting. That vision settled before her—in the house the house was all; and as the train drew up she rose, in her mean compartment, quite proudly erect with the thought that all for Fleda Vetch then the house was standing there. Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid.
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