Alone, there in the brush, he worked out his problem and began to apply it. He stripped off his clothing and leaped and gambolled about, running on all fours, climbing trees; in short, doing physical stunts,—and all the time soaking in the sunshine. He imitated the animals. He built a nest of dry leaves and grasses in which to sleep at night, covering it over with bark as a protection against the early fall rains. “Here is a beautiful exercise,” he told me, once, flapping his arms mightily against his sides; “I learned it from watching the roosters crow.” Another time I remarked the loud, sucking intake with which he drank cocoanut-milk. He explained that he had noticed the cows drinking that way and concluded there must be something in it. He tried it and found it good, and thereafter he drank only in that fashion. And now to the particular physics of surf-riding. Get out on a flat board, six feet long, two feet wide, and roughly oval in shape. Lie down upon it like a small boy on a coaster and paddle with your hands out to deep water, where the waves begin to crest. Lie out there quietly on the board. Sea after sea breaks before, behind, and under and over you, and rushes in to shore, leaving you behind. When a wave crests, it gets steeper. Imagine yourself, on your hoard, on the face of that steep slope. If it stood still, you would slide down just as a boy slides down a hill on his coaster. “But,” you object, “the wave doesn’t stand still.” Very true, but the water composing the wave stands still, and there you have the secret. If ever you start sliding down the face of that wave, you’ll keep on sliding and you’ll never reach the bottom. Please don’t laugh. The face of that wave may be only six feet, yet you can slide down it a quarter of a mile, or half a mile, and not reach the bottom. For, see, since a wave is only a communicated agitation or impetus, and since the water that composes a wave is changing every instant, new water is rising into the wave as fast as the wave travels. You slide down this new water, and yet remain in your old position on the wave, sliding down the still newer water that is rising and forming the wave. You slide precisely as fast as the wave travels. If it travels fifteen miles an hour, you slide fifteen miles an hour. Between you and shore stretches a quarter of mile of water. As the wave travels, this water obligingly heaps itself into the wave, gravity does the rest, and down you go, sliding the whole length of it. If you still cherish the notion, while sliding, that the water is moving with you, thrust your arms into it and attempt to paddle; you will find that you have to be remarkably quick to get a stroke, for that water is dropping astern just as fast as you are rushing ahead.!

He explained at length that no white man was sure of his Malaita crew in a tight place; that the bushmen looked upon all wrecks as their personal property; that the bushmen possessed plenty of Snider rifles; and that he had on board a dozen “return” boys for Su’u who were certain to join in with their friends and relatives ashore when it came to looting the Minota. “The Correct Magnetic Course is derived from the True Course by applying to it the variation.”

“Darn the rules!” I exclaim. “Ain’t I here?” It was as large as a silver dollar, that yaw, and it took all of three weeks to heal. There were times when Charmian could not walk because of the hurt of it; and there were times upon times when she explained that abaft the ankle-bone was the most painful place to have a yaw. I explained, in turn, that, never having experienced a yaw in that locality, I was driven to conclude the hollow of the instep was the most painful place for yaw-culture. We left it to Martin, who disagreed with both of us and proclaimed passionately that the only truly painful place was the shin. No wonder horse-racing is so popular. On the first floor was Madame’s bed-chamber, a large room papered in a flowered design and containing the portrait of Monsieur dressed in the costume of a dandy. It communicated with a smaller room, in which there were two little cribs, without any mattresses. Next, came the parlour (always closed), filled with furniture covered with sheets. Then a hall, which led to the study, where books and papers were piled on the shelves of a book-case that enclosed three quarters of the big black desk. Two panels were entirely hidden under pen-and-ink sketches, Gouache landscapes and Audran engravings, relics of better times and vanished luxury. On the second floor, a garret-window lighted Felicite’s room, which looked out upon the meadows.