Fleda gave a bold dramatic laugh. "Thank you, my love—with all the best things at Ricks!" Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.!

Fleda vaguely demurred. "His dreadful quarrel?" She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!"

"If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!" "No," Mrs. Gereth replied, "but because they belong to the house and the house belongs to Owen. If I should wish to take anything, she would simply say, with that motionless mask: 'It goes with the house.' And day after day, in the face of every argument, of every consideration of generosity, she would repeat, without winking, in that voice like the squeeze of a doll's stomach: 'It goes with the house—it goes with the house.' In that attitude they'll shut themselves up." Again our young lady reflected. "I think I'm rather glad you didn't."