Joan was pouring out the tea. “Oh, nothing,” she answered, “but just be agreeable to the right people. He’ll tell you who they are. And take care of him.” Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening—it had been a particularly trying one for Joan—there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins.!

But even that did not help her. It seemed in some mysterious way to be no longer her room, but the room of someone she had known and half forgotten: who would never come back. It gave her the same feeling she had experienced on returning to the house in London: that the place was haunted. The high cheval glass from her mother’s dressing-room had been brought there for her use. The picture of an absurdly small child—the child to whom this room had once belonged—standing before it naked, rose before her eyes. She had wanted to see herself. She had thought that only her clothes stood in the way. If we could but see ourselves, as in some magic mirror? All the garments usage and education has dressed us up in laid aside. What was she underneath her artificial niceties, her prim moralities, her laboriously acquired restraints, her unconscious pretences and hypocrisies? She changed her clothes for a loose robe, and putting out the light drew back the curtains. The moon peeped in over the top of the tall pines, but it only stared at her, indifferent. It seemed to be looking for somebody else. It was some while again before he spoke. “He will be the last of the Allways,” he said. “I should like to think of the name being continued; and he’s a good business man, in spite of his dreaminess. Perhaps he would get on better with the men.”

Of course she would go to Hell. As a special kindness some generous relative had, on Joan’s seventh birthday, given her an edition of Dante’s “Inferno,” with illustrations by Doré. From it she was able to form some notion of what her eternity was likely to be. And God all the while up in His Heaven, surrounded by that glorious band of praise-trumpeting angels, watching her out of the corner of His eye. Her courage saved her from despair. Defiance came to her aid. Let Him send her to Hell! She was not going to pray to Him and make up to Him. He was a wicked God. Yes, He was: a cruel, wicked God. And one night she told Him so to His face. “It was a foolish notion,” she said, “that of the Manchester school: that men and women could be treated as mere figures in a sum.” In a noisy, flaring street, a thin-clad woman passed her, carrying a netted bag showing two loaves. In a flash, it came to her what it must mean to the poor; this daily bread that in comfortable homes had come to be regarded as a thing like water; not to be considered, to be used without stint, wasted, thrown about. Borne by those feeble, knotted hands, Joan saw it revealed as something holy: hallowed by labour; sanctified by suffering, by sacrifice; worshipped with fear and prayer.