Alone, there in the brush, he worked out his problem and began to apply it. He stripped off his clothing and leaped and gambolled about, running on all fours, climbing trees; in short, doing physical stunts,—and all the time soaking in the sunshine. He imitated the animals. He built a nest of dry leaves and grasses in which to sleep at night, covering it over with bark as a protection against the early fall rains. “Here is a beautiful exercise,” he told me, once, flapping his arms mightily against his sides; “I learned it from watching the roosters crow.” Another time I remarked the loud, sucking intake with which he drank cocoanut-milk. He explained that he had noticed the cows drinking that way and concluded there must be something in it. He tried it and found it good, and thereafter he drank only in that fashion. But we are not done with that engine yet. The engine is powerful. We are two small men and a small woman. It will break our hearts and our backs to hoist anchor by hand. Let the engine do it. And then comes the problem of how to convey power for’ard from the engine to the winch. And by the time all this is settled, we redistribute the allotments of space to the engine-room, galley, bath-room, state-rooms, and cabin, and begin all over again. And when we have shifted the engine, I send off a telegram of gibberish to its makers at New York, something like this: Toggle-joint abandoned change thrust-bearing accordingly distance from forward side of flywheel to face of stern post sixteen feet six inches.!

Nothing but pigs, innocently fat and roasted to a turn, were inside those wrappings, but the men were carrying them into camp in imitation of old times when they carried in “long-pig.” Now long-pig is not pig. Long-pig is the Polynesian euphemism for human flesh; and these descendants of man-eaters, a king’s son at their head, brought in the pigs to table as of old their grandfathers had brought in their slain enemies. Every now and then the procession halted in order that the bearers should have every advantage in uttering particularly ferocious shouts of victory, of contempt for their enemies, and of gustatory desire. So Melville, two generations ago, witnessed the bodies of slain Happar warriors, wrapped in palm-leaves, carried to banquet at the Ti. At another time, at the Ti, he “observed a curiously carved vessel of wood,” and on looking into it his eyes “fell upon the disordered members of a human skeleton, the bones still fresh with moisture, and with particles of flesh clinging to them here and there.” “Not yet,” said the physician, and both got into the carriage, while the snow fell in thick flakes. It was almost night and very cold.

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. It was a bull which was hidden from them by the fog. He advanced towards the two women, and Madame Aubain prepared to flee for her life. “No, no! not so fast,” warned Felicite. Still they hurried on, for they could hear the noisy breathing of the bull behind them. His hoofs pounded the grass like hammers, and presently he began to gallop! Felicite turned around and threw patches of grass in his eyes. He hung his head, shook his horns and bellowed with fury. Madame Aubain and the children, huddled at the end of the field, were trying to jump over the ditch. Felicite continued to back before the bull, blinding him with dirt, while she shouted to them to make haste. Before we were aware, we were close in to Tahaa (pronounced Tah-hah-ah, with equal accents), and Tehei was grinning approval of the vahine’s proficiency at bailing. The canoe grounded on a shallow shore, twenty feet from land, and we waded out on a soft bottom where big slugs curled and writhed under our feet and where small octopuses advertised their existence by their superlative softness when stepped upon. Close to the beach, amid cocoanut palms and banana trees, erected on stilts, built of bamboo, with a grass-thatched roof, was Tehei’s house. And out of the house came Tehei’s vahine, a slender mite of a woman, kindly eyed and Mongolian of feature—when she was not North American Indian. “Bihaura,” Tehei called her, but he did not pronounce it according to English notions of spelling. Spelled “Bihaura,” it sounded like Bee-ah-oo-rah, with every syllable sharply emphasized.