We sat at table on the lotus-eating veranda, served by the butterfly maids, and ate strange foods and partook of a nectar called poi. But the dream threatened to dissolve. It shimmered and trembled like an iridescent bubble about to break. I was just glancing out at the green grass and stately trees and blossoms of hibiscus, when suddenly I felt the table move. The table, and the Madonna across from me, and the veranda of the lotus-eaters, the scarlet hibiscus, the greensward and the trees—all lifted and tilted before my eyes, and heaved and sank down into the trough of a monstrous sea. I gripped my chair convulsively and held on. I had a feeling that I was holding on to the dream as well as the chair. I should not have been surprised had the sea rushed in and drowned all that fairyland and had I found myself at the wheel of the Snark just looking up casually from the study of logarithms. But the dream persisted. I looked covertly at the Madonna and her husband. They evidenced no perturbation. The dishes had not moved upon the table. The hibiscus and trees and grass were still there. Nothing had changed. I partook of more nectar, and the dream was more real than ever. By sunset, the back of the squall had broken though it was still too rough for the canoe. So I had Tehei find a native who was willing to venture his cutter across to Raiatea for the outrageous sum of two dollars, Chili, which is equivalent in our money to ninety cents. Half the village was told off to carry presents, with which Tehei and Bihaura speeded their parting guests—captive chickens, fishes dressed and swathed in wrappings of green leaves, great golden bunches of bananas, leafy baskets spilling over with oranges and limes, alligator pears (the butter-fruit, also called the avoca), huge baskets of yams, bunches of taro and cocoanuts, and last of all, large branches and trunks of trees—firewood for the Snark.!

Then, to the south, Aneiteum rose out of the sea, to the north, Aniwa, and, dead ahead, Tanna. There was no mistaking Tanna, for the smoke of its volcano was towering high in the sky. It was forty miles away, and by afternoon, as we drew close, never ceasing to log our six knots, we saw that it was a mountainous, hazy land, with no apparent openings in its coast-line. I was looking for Port Resolution, though I was quite prepared to find that as an anchorage, it had been destroyed. Volcanic earthquakes had lifted its bottom during the last forty years, so that where once the largest ships rode at anchor there was now, by last reports, scarcely space and depth sufficient for the Snark. And why should not another convulsion, since the last report, have closed the harbour completely? The following week they learned of Monsieur Bourais’ death in an inn. There were rumours of suicide, which were confirmed; doubts concerning his integrity arose. Madame Aubain looked over her accounts and soon discovered his numerous embezzlements; sales of wood which had been concealed from her, false receipts, etc. Furthermore, he had an illegitimate child, and entertained a friendship for “a person in Dozule.”

The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are. And now for another phase of the physics of surf-riding. All rules have their exceptions. It is true that the water in a wave does not travel forward. But there is what may be called the send of the sea. The water in the overtoppling crest does move forward, as you will speedily realize if you are slapped in the face by it, or if you are caught under it and are pounded by one mighty blow down under the surface panting and gasping for half a minute. The water in the top of a wave rests upon the water in the bottom of the wave. But when the bottom of the wave strikes the land, it stops, while the top goes on. It no longer has the bottom of the wave to hold it up. Where was solid water beneath it, is now air, and for the first time it feels the grip of gravity, and down it falls, at the same time being torn asunder from the lagging bottom of the wave and flung forward. And it is because of this that riding a surf-board is something more than a mere placid sliding down a hill. In truth, one is caught up and hurled shoreward as by some Titan’s hand. The clergy appeared in the yard. Mother Simon climbed on a chair to reach the bull’s-eye, and in this manner could see the altar. It was covered with a lace cloth and draped with green wreaths. In the middle stood a little frame containing relics; at the corners were two little orange-trees, and all along the edge were silver candlesticks, porcelain vases containing sun-flowers, lilies, peonies, and tufts of hydrangeas. This mount of bright colours descended diagonally from the first floor to the carpet that covered the sidewalk. Rare objects arrested one’s eye. A golden sugar-bowl was crowned with violets, earrings set with Alencon stones were displayed on green moss, and two Chinese screens with their bright landscapes were near by. Loulou, hidden beneath roses, showed nothing but his blue head which looked like a piece of lapis-lazuli.