Mrs. Phillips’s thin hands were playing nervously with the bed clothes. There still seemed something that she had to say. As if Joan hadn’t thought of everything. Her eyes were fixed upon the narrow strip of light between the window curtains. She thought it ended. But yet she sat there motionless.!

“Oh, don’t you believe her,” she advised Mr. Halliday. “She loves you still. She’s only teasing you. This is Joan.” Joan, trembling, stole from her bed and drew aside the blind. There was nothing to be seen but the stars and the dim shape of the hills. But still that song, filling the air with its wild, triumphant melody.

“You grow wonderfully like your mother,” he told her that evening at dinner. “There used to be something missing. But I don’t feel that, now.” Flossie, since she had become engaged, had acquired quite a matronly train of thought. She spoke kindly, with a little grave shake of her head. “My dear,” she said, “the wife is always in the way. You’d feel just the same whatever her face was like.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.