"Yesterday?" When Owen and Fleda were in her father's little place and, among the brandy-flasks and pen-wipers, still more disconcerted and divided, the girl—to do something, though it would make him stay—had ordered tea, he put the letter before her quite as if he had guessed her thought. "She's still a bit nasty—fancy!" He handed her the scrap of a note which he had pulled out of his pocket and from its envelope. "Fleda Vetch," it ran, "is at 10 Raphael Road, West Kensington. Go to see her, and try, for God's sake, to cultivate a glimmer of intelligence." When in handing it back to him she took in his face she saw that its heightened color was the effect of his watching her read such an allusion to his want of wit. Fleda knew what it was an allusion to, and his pathetic air of having received this buffet, tall and fine and kind as he stood there, made her conscious of not quite concealing her knowledge. For a minute she was kept silent by an angered sense of the trick that had been played her. It was a trick because Fleda considered there had been a covenant; and the trick consisted of Mrs. Gereth's having broken the spirit of their agreement while conforming in a fashion to the letter. Under the girl's menace of a complete rupture she had been afraid to make of her secret the use she itched to make; but in the course of these days of separation she had gathered pluck to hazard an indirect betrayal. Fleda measured her hesitations and the impulse which she had finally obeyed and which the continued procrastination of Waterbath had encouraged, had at last made irresistible. If in her high-handed manner of playing their game she had not named the thing hidden, she had named the hiding-place. It was over the sense of this wrong that Fleda's lips closed tight: she was afraid of aggravating her case by some ejaculation that would make Owen prick up his ears. A great, quick effort, however, helped her to avoid the danger; with her constant idea of keeping cool and repressing a visible flutter, she found herself able to choose her words. Meanwhile he had exclaimed with his uncomfortable laugh: "That's a good one for me, Miss Vetch, isn't it?"!

"I suppose you'd go back to London." "Why, of any reviving pleasure that one might feel in such an exhibition. I shall feel none at all. You may personally take it as you like; but what conceivable good will it do?"

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "What do you want of him," Fleda sadly asked, "feeling as you do to both of us?" They still stood where they had met. Fleda's instinct was to keep him there; the more so that she could already see him take for granted that they would immediately proceed together to her door. He rose before her with a different air: he looked less ruffled and bruised than he had done at Ricks, he showed a recovered freshness. Perhaps, however, this was only because she had scarcely seen him at all as yet in London form, as he would have called it—"turned out" as he was turned out in town. In the country, heated with the chase and splashed with the mire, he had always rather reminded her of a picturesque peasant in national costume. This costume, as Owen wore it, varied from day to day; it was as copious as the wardrobe of an actor; but it never failed of suggestions of the earth and the weather, the hedges and the ditches, the beasts and the birds. There had been days when it struck her as all nature in one pair of boots. It didn't make him now another person that he was delicately dressed, shining and splendid—that he had a higher hat and light gloves with black seams, and a spearlike umbrella; but it made him, she soon decided, really handsomer, and that in turn gave him—for she never could think of him, or indeed of some other things, without the aid of his vocabulary—a tremendous pull. Yes, this was for the moment, as he looked at her, the great fact of their situation—his pull was tremendous. She tried to keep the acknowledgement of it from trembling in her voice as she said to him with more surprise than she really felt: "You've then reopened relations with her?"