“I don’t suppose you will agree with me,” he said. “Somehow I felt I had to.” The crowd gave way to them, and they had all but reached him. He was hatless and bespattered, but his tender eyes had neither fear nor anger in them. She reached out her arms and called to him. Another step and she would have been beside him, but at the moment a slim, laughing girl darted in front of him and slipped her foot between his legs and he went down.!

“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. “I may not see you again before I go,” he said. “Look after Mary. I shall try to persuade her to go down to her aunt in Hampshire. It’s rather a bit of luck, as it turns out, the paper being finished with. I shouldn’t have quite known what to do.”

“I want to,” she answered. “It isn’t all curiosity. I think it’s time for women to insist on seeing war with their own eyes, not trust any longer to the pictures you men paint.” She smiled. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained.