These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "That's charming," Fleda replied, "but it doesn't tell me a bit, you'll be so good as to consider, in what terms to write to him. It's not an answer from you to the message I was to give you."!

Fleda, with a bright face, hesitated a moment. "As if I were one of those bad women in a play?" It was easy indeed not to speak when the difficulty was to find words. He clasped his hands before her as he might have clasped them at an altar; his pressed palms shook together while he held his breath and while she stilled herself in the effort to come round again to the real and the right. He helped this effort, soothing her into a seat with a touch as light as if she had really been something sacred. She sank into a chair and he dropped before her on his knees; she fell back with closed eyes and he buried his face in her lap. There was no way to thank her but this act of prostration, which lasted, in silence, till she laid consenting hands on him, touched his head and stroked it, held it in her tenderness till he acknowledged his long density. He made the avowal seem only his—made her, when she rose again, raise him at last, softly, as if from the abasement of shame. If in each other's eyes now, however, they saw the truth, this truth, to Fleda, looked harder even than before—all the harder that when, at the very moment she recognized it, he murmured to her ecstatically, in fresh possession of her hands, which he drew up to his breast, holding them tight there with both his own: "I'm saved, I'm saved,—I am! I'm ready for anything. I have your word. Come!" he cried, as if from the sight of a response slower than he needed, and in the tone he so often had of a great boy at a great game.

"Why, of the whole wretched thing." "No. He told me nothing but the great gawk of a fact. I saw him but for three minutes." She was silent again, and Fleda, as before some lurid image of this interview, sat without speaking. "Do you wish to appear as if you don't care?" Mrs. Gereth presently demanded. "His engagement to marry? Why, it's just that engagement we loathe!"