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The betrothed Princess, the ambassadors who had come to be present at the marriage, began to pull long faces. One of the most important of the guests turned to the King, and said, "Sire, can you think of breaking so solemn an engagement, on the word of a toad like that? This scum of the marshes has the insolence to come and tell lies before the whole Court, for the pleasure of being heard!" "Know, your Excellency," replied the Frog, "that I am no scum of the marshes, and since I am forced to exhibit my powers: Come forth, fairies all!" And thereupon all the frogs, rats, snails, lizards, with the frog at their head, suddenly appeared; not, however, in the usual form of these reptiles, but with tall, majestic figures, pleasing countenances, and eyes more brilliant than stars; each wore a jewelled crown on his head, and over his shoulders a regal mantle of velvet, lined with ermine, with a long train which was borne by dwarfs. At the same time was heard the sound of trumpets, kettle-drums, hautboys, and drums, filling the air with melodious and warlike music, and all the fairies began to dance a ballet, their every step so light, that the slightest spring lifted them to the vaulted ceiling of the room. The King and his future Queen, surprised as they were at this, were no less astonished, when they saw all these fairy ballet dancers suddenly change into flowers, jasmine, jonquils, violets, pinks, and tube roses, which still continued to dance as if they had legs and feet. It was like a living flower-bed, of which every movement delighted both the eye and the sense of smell. Another moment, and the flowers had disappeared; in their place several fountains threw their waters into the air and fell into an artificial lake at the foot of the castle walls; this was covered with little painted and gilded boats, so pretty and dainty that the Princess invited the ambassadors to go for a trip on the water. They were all pleased to do so, thinking it was all a merry pastime, which would end happily in the marriage festivities. But they had no sooner embarked, than the boats, water, and fountains disappeared, and the frogs were frogs again. The King asked what had become of the Princess; the Frog replied, "Sire, no queen is yours, but your wife; were I less attached to her than I am, I should not interfere; but she is so deserving, and your daughter Moufette is so charming that you ought not to delay a moment in going to their deliverance." "I assure you, Madam Frog," said the King, "that if I did not believe my wife to be dead, there is nothing in the world I would not do to see her again." "After the wonders I have shown you," she replied, "it seems to me that you ought to be more convinced of the truth of what I have told you. Leave your kingdom in charge of trustworthy men, and start without delay. Here is a ring which will furnish you with the means of seeing the Queen, and of speaking with the Fairy Lioness, although she is the most terrible creature in the world.",

No sooner was the sad news spread through the palace, than the whole town knew it. Nothing was heard but weeping and wailing, for Moufette was greatly beloved. The King could not make up his mind to give her to the giant, and the giant, who had already waited some days, began to grow impatient, and to utter terrible threats. The King and Queen, however, said to each other, "What worse thing could happen to us? If the Dragon of the lake were to come and devour us all we could not be more distressed; if Moufette is put into a pie, we are lost.",

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Meanwhile Julia, sheltered in the obscure recesses of St Augustin, endeavoured to attain a degree of that tranquillity which so strikingly characterized the scenes around her. The abbey of St Augustin was a large magnificent mass of Gothic architecture, whose gloomy battlements, and majestic towers arose in proud sublimity from amid the darkness of the surrounding shades. It was founded in the twelfth century, and stood a proud monument of monkish superstition and princely magnificence. In the times when Italy was agitated by internal commotions, and persecuted by foreign invaders, this edifice afforded an asylum to many noble Italian emigrants, who here consecrated the rest of their days to religion. At their death they enriched the monastery with the treasures which it had enabled them to secure.

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The man replied, that on a very dark and stormy night, about a week before, two persons had come to the cottage, and desired shelter. That they were unattended; but seemed to be persons of consequence in disguise. That they paid very liberally for what they had; and that they departed from the cottage a few hours before the arrival of the duke.,

At first she could distinguish nothing, for the windows were closed; in a few minutes, however, she began to see that the floor was covered with blood, in which was reflected the bodies of several dead women hanging on the walls. These were all the wives of Blue Beard, who had killed them one after another. She was ready to die with fright, and the key, which she had taken out of the lock, fell from her hand.,

Towards the close of the sixteenth century, this castle was in the possession of Ferdinand, fifth marquis of Mazzini, and was for some years the principal residence of his family. He was a man of a voluptuous and imperious character. To his first wife, he married Louisa Bernini, second daughter of the Count della Salario, a lady yet more distinguished for the sweetness of her manners and the gentleness of her disposition, than for her beauty. She brought the marquis one son and two daughters, who lost their amiable mother in early childhood. The arrogant and impetuous character of the marquis operated powerfully upon the mild and susceptible nature of his lady: and it was by many persons believed, that his unkindness and neglect put a period to her life. However this might be, he soon afterwards married Maria de Vellorno, a young lady eminently beautiful, but of a character very opposite to that of her predecessor. She was a woman of infinite art, devoted to pleasure, and of an unconquerable spirit. The marquis, whose heart was dead to paternal tenderness, and whose present lady was too volatile to attend to domestic concerns, committed the education of his daughters to the care of a lady, completely qualified for the undertaking, and who was distantly related to the late marchioness.,

Julia now endeavoured to imitate the fortitude of her mother, and tenderly concealed her anxiety for Ferdinand and Hippolitus, the idea of whom incessantly haunted her imagination. When the marquis brought food to the cell, she retired to the avenue leading to the cavern, and escaped discovery.