"Is that what you came to ask me?" Fleda demanded. Finally, after an interval, the girl exclaimed: "But the mere fatigue of it, the exhaustion of such a feat! I drag you to and fro here while you must be ready to drop."!

"So as not to aggravate Mona, naturally. We've had a narrow course to steer, but thank God we're at last in the open!" "To act, to take means."

Once in the country, indeed, she saw that her father was right: the breath of December was abroad with a force from which the London labyrinth had protected her. The green fields were black, the sky was all alive with the wind; she had, in her anxious sense of the elements, her wonder at what might happen, a reminder of the surmises, in the old days of going to the Continent, that used to worry her on the way, at night, to the horrid cheap crossings by long sea. Something, in a dire degree, at this last hour, had begun to press on her heart: it was the sudden imagination of a disaster, or at least of a check, before her errand was achieved. When she said to herself that something might happen she wanted to go faster than the train. But nothing could happen save a dismayed discovery that, by some altogether unlikely chance, the master and mistress of the house had already come back. In that case she must have had a warning, and the fear was but the excess of her hope. It was every one's being exactly where every one was that lent the quality to her visit. Beyond lands and seas and alienated forever, they in their different ways gave her the impression to take as she had never taken it. At last it was already there, though the darkness of the day had deepened; they had whizzed past Chater—Chater, which was the station before the right one. Off in that quarter was an air of wild rain, but there shimmered straight across it a brightness that was the color of the great interior she had been haunting. That vision settled before her—in the house the house was all; and as the train drew up she rose, in her mean compartment, quite proudly erect with the thought that all for Fleda Vetch then the house was standing there. "No. He told me nothing but the great gawk of a fact. I saw him but for three minutes." She was silent again, and Fleda, as before some lurid image of this interview, sat without speaking. "Do you wish to appear as if you don't care?" Mrs. Gereth presently demanded. From the window of her room, the next morning before breakfast, the girl saw Owen in the garden with Mona, who strolled beside him with a listening parasol, but without a visible look for the great florid picture that had been hung there by Mrs. Gereth's hand. Mona kept dropping her eyes, as she walked, to catch the sheen of her patent-leather shoes, which resembled a man's and which she kicked forward a little—it gave her an odd movement—to help her see what she thought of them. When Fleda came down Mrs. Gereth was in the breakfast-room; and at that moment Owen, through a long window, passed in alone from the terrace and very endearingly kissed his mother. It immediately struck the girl that she was in their way, for hadn't he been borne on a wave of joy exactly to announce, before the Brigstocks departed, that Mona had at last faltered out the sweet word he had been waiting for? He shook hands with his friendly violence, but Fleda contrived not to look into his face: what she liked most to see in it was not the reflection of Mona's big boot-toes. She could bear well enough that young lady herself, but she couldn't bear Owen's opinion of her. She was on the point of slipping into the garden when the movement was checked by Mrs. Gereth's suddenly drawing her close, as if for the morning embrace, and then, while she kept her there with the bravery of the night's repose, breaking out: "Well, my dear boy, what does your young friend there make of our odds and ends?"