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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.,

At the close of the act, in the far, high distance, the Goddess, Flora, appeared on a hill-crest. This was Edith herself, arrayed in a filmy gown of pale green, garlanded with snow-drops and buttercups. High, far, and faint came her song of the dawn of Spring. But the gnomes and the elves, Storm, Wind, Frost, and Rain, roared and howled; and Flora, affrighted, fled from view.,

The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence.,

The quaint words seemed incongruous for so small a child, as did her self-control; and the accent on the last syllable of “mama” made her seem almost foreign to Billy. Yet he admired her anew as she tried to hold still her trembling lips, to restrain her tears; as she threw up her head, winked hard, and felt vainly for a handkerchief.

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Dim religious lights from stained glass windows shone through the church and falling on the boy chilled him to the marrow.,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.,

“Why, Buzz Lancaster, how did you get here?” Edith went back and steadied him over the uneven ground. “Phew! He smells of gasoline! Where has he been, do you suppose, mother?”,

“Here are more beads of wampum, Betty, as I have no garden.” Nell Gordon’s silver donation added appreciably to the weight of the collection box.