“Yes,” she answered, “’E’s got on. I always think of that little poem, ‘Lord Burleigh,’” she continued; “whenever I get worrying about myself. Ever read it?” Only once had she ever thought of marriage. And that was in favour of a middle-aged, rheumatic widower with three children, a professor of chemistry, very learned and justly famous. For about a month she had thought herself in love. She pictured herself devoting her life to him, rubbing his poor left shoulder where it seemed he suffered most, and brushing his picturesque hair, inclined to grey. Fortunately his eldest daughter was a young woman of resource, or the poor gentleman, naturally carried off his feet by this adoration of youth and beauty, might have made an ass of himself. But apart from this one episode she had reached the age of twenty-three heart-whole.!

“He does,” answered Joan. “I hear His voice. There are things I’ve got to do. Wrongs that I must fight against. Rights that I must never dare to rest till they are won.” Her lips were parted. Her breasts heaving. “He does call to us. He has girded His sword upon me.” Flossie was tacking her way towards them. Joan acted on impulse. “I wish you’d give me your address,” she said “where I could write to you. Or perhaps you would not mind my coming and seeing you one day. I would like you to tell me more about my mother.”

Miss Greyson left them. She had to finish an article. They debated “Clorinda’s” views; and agreed that, as a practical housekeeper, she would welcome attention being given to the question of the nation’s food. The Evening Gazette would support Phillips in principle, while reserving to itself the right of criticism when it came to details. “Do come,” he said. “It will take me back thirty-three years. I proposed to your mother on La Grande Terrasse at St. Germain. We will walk there. I’m still a bachelor.” He laughed, and, kissing her hand, allowed himself to be hauled away by Flossie, in exchange for Mrs. Phillips, for whom Miss Lavery had insisted on an invitation. “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”