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One day, as she was sitting at the window of her apartment, engaged in melancholy reflection, she saw a man riding towards the castle on full speed. Her heart beat with fear and expectation; for his haste made her suspect he brought intelligence of Julia; and she could scarcely refrain from breaking through the command of the marquis, and rushing into the hall to learn something of his errand. She was right in her conjecture; the person she had seen was a spy of the marquis's, and came to inform him that the lady Julia was at that time concealed in a cottage of the forest of Marentino. The marquis, rejoiced at this intelligence, gave the man a liberal reward. He learned also, that she was accompanied by a young cavalier; which circumstance surprized him exceedingly; for he knew of no person except the Count de Vereza with whom she could have entrusted herself, and the count had fallen by his sword! He immediately ordered a party of his people to accompany the messenger to the forest of Marentino, and to suffer neither Julia nor the cavalier to escape them, on pain of death.,

Her lover sinking back, endeavoured to conceal his emotions, but the deep sobs which agitated his breast betrayed his anguish, and the tears of every spectator bedewed the sacred spot where beauty, sense, and innocence expired.,

Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.,

CHAPTER VI THE END OF THE LABYRINTH

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When the fire was burning strongly, he moved it as close to the door as possible so that the flames could lick the planking. His whole scheme depended on the door burning sufficiently to let him either crawl through or to weaken it to the point where his strength could break it down. Therefore, once the fire was in place he must not be stingy with his wood; the hotter the blaze, the more chance he had.,

At last he was about to get up and go home when he saw a figure dodging from shadow to shadow and making up the hill in the general direction of his position.,

Having taken what provision the marquis had brought, they quitted the cell, and entered upon the dark passage, along which they passed with cautious steps. Julia came first to the door of the cavern, but who can paint her distress when she found it was fastened! All her efforts to open it were ineffectual.—The door which had closed after her, was held by a spring lock, and could be opened on this side only with a key. When she understood this circumstance, the marchioness, with a placid resignation which seemed to exalt her above humanity, addressed herself again to heaven, and turned back to her cell. Here Julia indulged without reserve, and without scruple, the excess of her grief. The marchioness wept over her. 'Not for myself,' said she, 'do I grieve. I have too long been inured to misfortune to sink under its pressure. This disappointment is intrinsically, perhaps, little—for I had no certain refuge from calamity—and had it even been otherwise, a few years only of suffering would have been spared me. It is for you, Julia, who so much lament my fate; and who in being thus delivered to the power of your father, are sacrificed to the Duke de Luovo—that my heart swells.',

“The worst thing is about the umbrella.”