“But you’ll get out of that,” suggested Joan. “You’ve got the actress face.” What was plucking at her sleeve—still holding her?!

At dawn the order came that the hospital was to be evacuated. The ambulances were already waiting in the street. Joan flew up the ladder to her loft, the other side of the yard. Madame Lelanne was already there. She had thrown a few things into a bundle, and her foot was again upon the ladder, when it seemed to her that someone struck her, hurling her back upon the floor, and the house the other side of the yard rose up into the air, and then fell quite slowly, and a cloud of dust hid it from her sight. He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.”

And as he talked and dreamed there grew up in her heart a fierce anger. What would her own future be? She would marry probably some man of her own class, settle down to the average woman’s “life”; be allowed, like a spoilt child, to still “take an interest” in public affairs: hold “drawing-rooms” attended by cranks and political nonentities: be President, perhaps, of the local Woman’s Liberal League. The alternative: to spend her days glued to a desk, penning exhortations to the people that Carleton and his like might or might not allow them to read; while youth and beauty slipped away from her, leaving her one of the ten thousand other lonely, faded women, forcing themselves unwelcome into men’s jobs. There came to her a sense of having been robbed of what was hers by primitive eternal law. Greyson had been right. She did love power—power to serve and shape the world. She would have earned it and used it well. She could have helped him, inspired him. They would have worked together: he the force and she the guidance. She would have supplied the things he lacked. It was to her he came for counsel, as it was. But for her he would never have taken the first step. What right had this poor brainless lump of painted flesh to share his wounds, his triumphs? What help could she give him when the time should come that he should need it? Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. Her father had always been very tender, very patient towards her mother, but she had not expected to find him so changed. He had aged and his shoulders drooped. She had been afraid that he would want her to stay with him and take charge of the house. It had worried her considerably. It would be so difficult to refuse, and yet she would have to. But when he never broached the subject she was hurt. He had questioned her about her plans the day after the funeral, and had seemed only anxious to assist them. She proposed continuing at Cambridge till the end of the term. She had taken her degree the year before. After that, she would go to London and commence her work.