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But almost on the threshold they come to a full stop to gaze irresolutely at one another, and then over their shoulders at Mona. She, marking their surprise, comes hastily to the front, and so makes herself acquainted with the cause of their delay. There is triumph in her eye, and a malicious sparkle, and just a touch of rebellion. "Yes; Gabriel—poor Gabriel and Evangeline," returns she, too wrapped up in recollections of that sad and touching tale to take to heart his meaning:—.
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Rodney, standing beside her, watches her anxiously. She throws up her head, and pushes back her hair, and strains her eyes eagerly into the darkness, that not all the moonbeams can make less than night. Geoffrey is quite dumb, and stands gazing at her surprised at the amazing change a stuff, a color, can make in so short a time. Beautiful she always is in his sight, but he wonders that until now it never occurred to him what a sensation she is likely to create in the London world. When at last he does give way to speech, driven to break his curious silence by something in her face, he says nothing of the gown, but only this. "'Is thy servant a dog, that he should do this thing?'" quotes Mr. Rodney; and, Mona having got into her shoes, she tells him he is at liberty to follow her across the rustic bridge lower down, that leads from the wood into Mangle Farm. At this voice every one starts! Mona, slipping her hand into Geoffrey's, draws him to one side; Lady Rodney rises from her sofa, and Sir Nicholas goes eagerly towards the door..
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