ludo narrative

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“Here is Isobel. What kept you so late, young lady?” As Mr. Crump spoke he viewed the young girl with justifiable pride.,

“Good-by Dad and Mar and Mosey,” called Betty as she sped down the path toward the school-house.,

“Don’t stan’ there fillin’ the doorway like a bung in a barrel, Moses,” reprimanded Mrs. Wopp. “That boy’s gone clean petrified. Go an’ fetch the lamp, it air giftin’ so dark I can’t tell which is Glory an’ which is Miss Gordon.”,

“Never mind, son; we expected to take some one.”

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Mrs. Wopp was too busy to eat breakfast in the orthodox fashion. She could be heard in the kitchen preparing for the trying ordeal of wash-day. Out in the yard the head of the house was busy feeding the fowl.,

Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air.,

Billy stooped to tie shoestrings already tidy; he was gaining time for thinking. “I reckon doing things you don’t like is work, and doing things you do like is play,” he explained, doubtfully.,

Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor.