"Quite right. There's nothing like them," said Mrs. Gereth. At this her companion took up one of her hands again and kissed it as she had done in London. "Mona went back that night; she was not there yesterday. Owen stayed on," she added. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"!

"Oh, I mean for myself!" Fleda said impatiently. "Well, at any rate, you don't call her names."

"The shilling's my shilling," said Mrs. Gereth. "I'm only thinking she'll be impatient—I mean, you know, to learn what will have passed between us." Fleda thought. "You don't, then?"