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Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,

“Sunday School comes first.”,

“O, that chestnut!” scornfully ejaculated Isobel.,

“O Billy, it hurts the ears of my mind to hear you say those vulgar words.” May Nell, playing “man” for the first time in her life, looked up from the “rod of grade” that she was piling deftly with a broken shingle. The color from sun and exercise added much to her beauty. She was neither blowsy nor smudged like the other children, and her lawn frock was as spotless as in the morning.

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Bess, though not quite twelve, was a striking girl, larger than most women; with a mind as unusual as her body. Poetry, music, mythology, she fed upon these as a plant upon the sunshine. She was not satisfied with ordinary speech, but continually wove into the most commonplace events the glamour of romance and poetic words. A wise mother had stood between her and the jeers of the thoughtless, that she might have a normal girlhood; and Billy’s mother and sister helped to make it possible for her to play comfortably with those of her own age. Yet it was a surprise to the stranger to see this dark-eyed, magnificent woman-creature in short skirts romping with children.,

“Wisht that orful pitcher ’d fall inter the swill-pail an’ then turn a somerset in the soot-pile,” murmured the boy as he noticed the care exercised over its safety.,

“I didn’t—I haven’t washed. I’m—” All at once as Billy walked through the tiled entrance, and felt himself in the midst of splendors he had viewed only from without, he was overcome with the suspicion that he looked rather queer beside the immaculate Doctor. He knew his hair “stood up all ways for Sunday”; and his face must be dirty. “But they won’t know how dirty,” he reflected; “this is[211] the time them plaguey freckles’ll get in an’ hide the dust.” Freckles were Billy’s sorest point.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.