"I see," said Fleda. "Well, I dare say our conferences have looked very odd." "Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art."!

"I knew what she wanted to say to me: that's why I was determined to get her off. I knew I shouldn't like it, but I was perfectly prepared," said Owen. "She brought it out as soon as we got round the corner; she asked me point-blank if I was in love with you." Owen had been blank a moment before, but he followed this argument with success—a success so immediate that it enabled him to produce with decision: "Ah, she's not that sort! She wants them herself," he added; "she wants to feel they're hers; she doesn't care whether I have them or not! And if she can't get them she doesn't want me. If she can't get them she doesn't want anything at all."

Mrs. Gereth shook her head with slow austerity. "You don't believe a word you're saying. I've frightened you, as you've frightened me: you're whistling in the dark to keep up our courage. I do simplify, doubtless, if to simplify is to fail to comprehend the insanity of a passion that bewilders a young blockhead with bugaboo barriers, with hideous and monstrous sacrifices. I can only repeat that you're beyond me. Your perversity's a thing to howl over. However," the poor woman continued with a break in her voice, a long hesitation and then the dry triumph of her will, "I'll never mention it to you again! Owen I can just make out; for Owen is a blockhead. Owen's a blockhead," she repeated with a quiet, tragic finality, looking straight into Fleda's eyes. "I don't know why you dress up so the fact that he's disgustingly weak." Mrs. Gereth, holding her mantle together, appeared for a while to consider. It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck.