“But why should you give up your art?” persisted Joan. It was that was sticking in her mind. “I should have thought that, if only for the sake of the child, you would have gone on with it.” “I can’t,” he answered. “I’m too great a coward.”!

She never quite remembered what the talk was about. Men were brought up and presented to her, and hung about her words, and sought to please her. She had spoken her own thoughts, indifferent whether they expressed agreement or not; and the argument had invariably taken another plane. It seemed so important that she should be convinced. Some had succeeded, and had been strengthened. Others had failed, and had departed sorrowful, conscious of the necessity of “thinking it out again.” He was silent for a while, with a quiet look on his face.

It would mean his getting out quickly. He seemed quite eager to be gone. He clung to her, as a troubled child might, with his arms clasped round her, and his head against her breast. And a mist rose up before her, and strange, commanding voices seemed calling to her. “You will find her changed,” she said. “Mentally, I mean. Though she will try not to show it. She was dying for your sake—to set you free. Hilda seems to have had a talk with her and to have spared her no part of the truth. Her great love for you made the sacrifice possible and even welcome. It was the one gift she had in her hands. She was giving it gladly, proudly. So far as she was concerned, it would have been kinder to let her make an end of it. But during the last few days I have come to the conclusion there is a law within us that we may not argue with. She is coming back to life, knowing you no longer want her, that she is only in the way. Perhaps you may be able to think of something to say or do that will lessen her martyrdom. I can’t.”