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“Now Mosey, you be ticket man at the gate an’ I’ll hev the circus all ready,” cried Betty bounding into the house in the shortest possible time after the departure of the elderly merrymakers.,

Mrs. Bennett smiled at her mistake and went in, while Billy took up his mower. The girls looked at one another in the mute scrutiny children bestow on newcomers, May Nell the least embarrassed of the three.,

Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel.,

“Moses!” called husband and wife, simultaneously. Mrs. Wopp’s voice spanned an interval of about a dozen semi-tones, and as it always grew in volume in direct ratio to the emergency of the duty to be imposed, the last syllable of her son’s name fell on that wretched boy’s ear like a clap of thunder. Mr. Wopp’s accents remained on nearly all occasions at the same even degree of meekness. Nature had not given him the temperament to indulge in crescendos or double fortes.

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Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air.,

The little room was rude and bare, but Billy loved it. He thought the massive beams like the ribs of a ship, and planned to hang between them all his ship pictures. Anything relating to the sea fired his imagination. It gave him a sense of manliness to sleep there alone; and when the heavier gusts of night wind rocked the tower, and each revolution of the big wheel splashed the water against the tank, as waves lap a ship’s side, he dreamed himself on the ocean, called himself “Captain.”,

“Now, Pat, kin you tell me which was the best men, the ones that rowed reel hard to save Joner, or the ones that leaned back an’ didn’t care a strawr.”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.