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"No," says Nicholas, "she isn't; though I should consider her dear at any price." He is a depraved young man who declines to see beauty in ebony and gloom. "But," with a sigh, "I don't think you quite understand, darling.",

Running over to the river that flows swiftly but serenely a few yards from her, she leans over the bank and gazes down lingeringly and with love into the dark depths beneath that cast up to her her own fair image.,

The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else.,

Mona starts, and regards him fixedly in a puzzled, uncertain manner. What he can possibly mean is unknown to her; but yet she is aware of some inward feeling, some instinct such as animals possess, that warns her to beware of him. She shrinks from him, and in doing so a slight fold of her dress catches in the handle of a writing-table, and detains her.

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He finishes; but, to his amazement, and a good deal to his chagrin, on looking at Mona he finds she is wreathed in smiles,—nay, is in fact convulsed with silent laughter.,

Springing up on it, she selects a certain panel, and, laying one hand on it as if to make sure it is the one she wants, counts carefully six more from it to the next wall, and three from it to the floor. I think I have described these panels before as being one foot broad and two feet long.,

"They—they have found that fellow,—old Elspeth's nephew," he says in a husky tone.,

But, though "lost to sight," to memory he is most unpleasantly "dear." Standing alone in the middle of the deserted field, Mona pulls to pieces, in a jerky, fretful fashion, a blade of grass she has been idly holding during the late warm discussion. She is honestly very much frightened at what she has done, but obstinately declines to acknowledge it even to her own heart. In a foolish but natural manner she tries to deceive herself into the belief that what has happened has been much to her own advantage, and it will be a strict wisdom to rejoice over it.