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A liberal application of shoe paste furnished the unfortunate victim with a startling pair of jet-black eyebrows, nearly an inch in depth. Appalled at what he saw, Moses drew from his pocket a grimy handkerchief. Dampening one corner of it in his mouth, the most expeditious thing to do under the circumstances, he carefully wiped around the outside of these funereal bands, reducing them slightly in size but also straightening their edges.,

Mrs. Bliggins’ narrative came to an end. Though its application to the misfortune which dominated the minds of the little gathering in Mrs. Mifsud’s kitchen was somewhat obscure, it served to cause a momentary interest. Experiences so unusual and so complicated as those of Mr. Augustus Snoop were bound to be diverting.,

One tall, ambitious girl contributed a unique float called, “Lot’s Wife Looking Backward.” She had not been certain of the color for the desert, consequently had made the whole thing, including the wagon, the boys, and herself snowy white. She had copied an old Bible picture, carrying out the idea with sheets, and such liberal doses of flour, that only a heavy dew was needed to turn the float to dough instead of salt. However, the sun shone, and the addition of diamond dust over all made a very realistic picture that Billy praised heartily.,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.

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“Mudgie, Mudgie, come to Elmo.”,

“You’re George Rideout Smith’s kid, ain’t you?”,

It was May Nell who first broke the silence. She had been thinking. “It isn’t so very bad to have to work, is it? Your mama looks happier than my mama does. She said she’d rather wear calico and work ever so hard, and have papa at home, than be the richest, richest without him. She cries a lot—my mama does. And now—she’s crying—for me.” The last word was a sob.,

And gents your black and tan,