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"Well, she did. I don't remember about that, you know. I was quite a little chap, and hustled out of sight if I said 'boo.' But of course she's got over all that, and is as jolly as a sand-boy now," says Geoffrey, gayly. (If only Lady Rodney could have heard him comparing her to a "sand-boy"!),

"I am so glad you are poor," says Mona. "If you were rich or even well off, I should never consent,—never!",

"Ai," replied Mā-mĭn´, "I do love you; only you. All the other young men pass before me as shadows. I scarcely see them, but I cannot do what you ask. I cannot go away and leave my mother to mourn; she who loves me so well. Let us wait a little. Go to war. Do something great and brave. Then perhaps you will not uselessly ask my father to give me to you.",

To-day—that "liberal worldling," that "gay philosopher"—is here; and last night belongs to us only in so far as it deserves a place in our memory or has forced itself there in spite of our hatred and repugnance.

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"Jack Foster and Terry O'Brien write to me very often," goes on Mona, unconsciously. "And indeed they all do occasionally, at Christmas, you know, and Easter and Midsummer, just to ask me how I am, and to tell me how they have got through their exams. But it is Jack and Terry, for the most part, who send me the music.",

She has crossed the rustic bridge that leads into the Moore plantations, in hot pursuit of a young turkey that is evidently filled with a base determination to spend his Sunday out.,

"Did he?" says Mona. "Geoffrey gave me these pearls," pointing to a pretty string round her own white neck, "a month after we were married. It seems quite a long time ago now," with a sigh and a little smile. "But your opals are perfect. Just like the moonlight. By the by," as if it has suddenly occurred to her, "did you ever see the lake by moonlight? I mean from the mullioned window in the north gallery?",

"Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work.