Suddenly, she sat up with a stifled cry. It seemed as if a flash of light had been turned upon her, almost blinding her. Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.”!

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. Mr. Simson shook his head. “Somebody’s got to tackle them,” he said. “Tell them the truth about themselves, to their faces.”

Mrs. Phillips was in bed when Joan went up to say good-bye. “You’ll come again soon?” she asked, and Joan promised. “You’ve made me so happy,” she whispered. The nurse was in the room. “Perhaps it’s wrong of me,” she said. “But it makes me so sad. And I can do nothing.” It seemed to her that it was she that they were laughing at, pointing her out to one another, jeering at her, reviling her, threatening her.